Stephen Fry was a pleasant addition, but his part is woefully under-utilised. There is no twist or turn in the screenplay. There is one scene set in full daylight about 3/4 of the way through - and to give you an idea, set your monitor brightness to 5% - now you have an idea of how dark this film is. Not that post-processing is a bad thing - it was put to good use in Se7en by Brad Fincher, but when the screen is S-O-O-O dark, and the action is so jerky (due to digital photography), that you find yourself asking yourself exactly what you made out of the last scene (multiplied by the amount of scenes in the film). Not that post-processing is a bad thing - it was put to good use in Se7en by Brad Fincher, but when the I would have really enjoyed this film, had it not been shot digitally, and not post-processed to the point of being so dark, it was a strain to make out exactly what was on the screen. I would have really enjoyed this film, had it not been shot digitally, and not post-processed to the point of being so dark, it was a strain to make out exactly what was on the screen. The cunning Moriarty is always one step ahead of Holmes as he spins a web of death and destruction-all part of a greater plan that, if he succeeds, will change the course of history. But Sherlock Holmes deduces that the prince has been the victim of murder-a murder that is only one piece of a larger and much more portentous puzzle, designed by Professor Moriarty. When the Crown Prince of Austria is found dead, the evidence, as construed by Inspector Lestrade, points to suicide. There is a new criminal mastermind at large-Professor Moriarty-and not only is he Holmes' intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may actually give him an advantage over the renowned detective. When the Crown Prince Sherlock Holmes has always been the smartest man in the room. They appear to fill in the blanks between the real-action scenes the dynamic pair plot their way through.Summary: Sherlock Holmes has always been the smartest man in the room. Rachel McAdams and Watson's fiancee, Kelly Reilly, are both fleeting in their roles. The rich chemistry he and Law are able to sustain throughout the film mean that the women appear as mere afterthoughts. It's a juxtaposition Downey proves he is innately suited for. Smarter than its predecessor, "Game of Shadows" manages to walk a fine line between big-screen action adventure and razor-sharp acting. He pinpoints the mastermind behind the deviant attacks as being his arch-nemesis - Professor Moriarty (Jared Harris) - and comes into contact with a mysterious gypsy girl (Noomi Rapace) in the bargain.ĭowney is in his element, craftily donning multiple disguises, as he and Watson romp through a film that is mind-boggling in its astuteness. Holmes discerns that the bombings are more than just anarchist attacks. A series of terrorist bombings that rip through Europe is creating great social unrest and weakening already terse relationships among the European powers. That, despite covering themes that are sobering. This time around, their nimble banter is even sharper, and their quirky, often campy, exchanges make for some of the cleverest and freshest moments in this film that manages to remain light on its feet and never take itself too seriously. and Jude Law reprise their roles as the quirky super sleuth and his sidekick Dr Watson, respectively.
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